ASCENT
First performance: 13.04.2026 @ Metronomen, Frederiksberg
A programme of works that engage with upwards momentum and endurance. Curated by Joss Smith. The first performance also featured a solo performance by sound artist Nolan Lem.
Programme:
Formation - Maya Verlaak
The Heavens - Andrew Hamilton
to greater and greater heights - Joss Smith (world premiere)
Maya Verlaak - Lawrence Dunn
Nolan Lem - Movements for many vessels
Performers:
Joss Smith - whistles, bass recorder, piano, voice
Karin Jakobsson - piano
Matthew Grouse - guitar
Antonios Akrivopoulos - piccolo
Stills by ©Spektrals
Maya Verlaak - Formation
Andrew Hamilton - The Heavens
Joss Smith - to greater and greater heights
Joss Smith - to greater and greater heights
Joss Smith - to greater and greater heights
Lawrence Dunn - Maya Verlaak
Nolan Lem - Movements for many vessels
Nolan Lem - Movements for many vessels
Nolan Lem - Movements for many vessels
Video documentation (visuals by Spektrals)
Formation | Maya Verlaak
Performed by Karin Jakobsson (piano)
Notes from the composer:
‘My compositional process started by asking an untrained singer to sing each note of a given scale. She was asked to sing each note until it was correct, and because she never had any music lessons, she experienced a very long but interesting process until reaching the correct notes. I recorded her (long) process and implanted the process in a self-build computer application. In the performance of Formation the pianist is required to route each recorded sung pitch closer to the target pitch. This task is accomplished by performing chords written in a maze-structured game-score and in interaction with the self-build computer application: The computer-microphone analyses the played chord and makes the sound of the voice travel through a maze. When the pianist has not quickly enough placed the voice in the correct tuned position, the computer will complain with the word “No”. The maze is structured in relation to the process of the untrained singer and the game will therefore make it equally difficult for the professional pianist the reach the goal of tuning the voice.’
The Heavens | Andrew Hamilton
Performed by Joss Smith (piano and voice)
The Heavens have sent you
to break me in pieces
confound me
to bless me
destroy me
to greater and greater heights | Joss Smith
Performed by Joss Smith (bass recorder and whistles), Karin Jakobsson (piano), Matthew Grouse (guitar) & Antonios Akrivopoulos (piccolo)
A struggle upwards towards ascension
Maya Verlaak | Lawrence Dunn
Performed by Karin Jakobsson (piano), Antonios Akrivopoulos (piccolo) and Joss Smith (whistle)
Movements for Many Vessels | Nolan Lem
a durational performance for multi-channel audio, ceramic bowls, motors, and live electronics that repurposes recordings of more than 200 of the artist’s handmade ceramic bowls into an immersive field of pulsing textures, sonic detail, and accumulating rhythmic motion.
Ear Transplant are grateful to the following foundations for supporting our inaugural concert season: KODA Kultur, Knud Højgaards Fond, Poul Johansen Fonden, Nordjyllandsfonden, Dansk Musiker Forbund, Københavns Kommune, William Demant Fonden, Hoffman og Husmans Fond, Frederiksberg Fonden, Frederiksberg Kommune Musikudvalg